ManageMental Episode 88: Blasko and Mike Answer Your Questions

This week we answer some questions from you, our loyal listeners. This is gonna be killer, so let’s get mental!


It might benefit from an episode going over who the players are in a local show (the promoter, the venue, etc.) what they do, and what the best practices are.

Keep it Mental,


I’m writing you because I heard the part about physical promotion in your recent Manage Mental podcast episode, and how you guys asked for feedback from a younger crowd on their opinions. I’m only 21 so I’ve only dealt in the age of digital promotion, however I see some serious benefits with physical promotion. These benefits aren’t necessarily for growing a larger fan base, but rather a stronger fan base. When it comes to getting the word out, digital seems to be the only way people really hear about things, but I think physical components are a key way to make fans feel more involved than they can on a digital platform, even with simple things like printing a handful of posters for a gig and giving them out for $1 or free at the show. One thing I’ve consistently seen with show flyers like that is that when they are available, they go fast and everyone who gets one tends to remember the gig better and feel more like they were a part of it personally. You guys also mentioned handwritten notes to go along with merch orders, I think that is a super easy and free thing to do to create a much more personal relationship between you and your fans. Those fans will be special and will be repeat customers at your shows and online stores, and help you out with gas money to get on tour to expand that fan base. If you do this consistently everyone will remember your band as a genuine group of guys and talk about you more. That’s just my thoughts based on my limited experience. 



With regard to physical promotion tactics, I co-created a physical flyer concept with a team about a year and a half ago and it has yielded killer results for us. What we do is come up with a theme and title for a show and then organize a photo shoot just for the flyer. Thus far we have integrated band members into the shoots as well as models. We have utilized local cos players to collaborate which has expanded our reach into their scene as well. 

I have a route of coffee houses, tattoo shops, clothing boutiques, vape shops, etc. that all display physical flyers for us. We, of course do boosted posts digitally and share from everyone's socials. I try to get some behind the scenes footage of every photo shoot and then blog about it as well as post on my personal and business pages. 

Thanks again, you guys rock!


Something that I know I would find very helpful as I’m sure other listeners would as well would be if you and Mike could dive into some of the tools available online to maximize the impact of social media marketing. I’ve been studying metrics on the website Next Big Sound and I was wondering if there any other resources similar to, or better than this that you guys can recommend so that bands such as my own are working smarter and not harder. 

All the best,
Scott Kelly

ManageMental Episode 87: How To Get Discovered in the Digital Age

Original Article: "5 Ways to Help Your Music Get Discovered in the New Digital Age" by Jeremy Young on Soundfly's Flypaper Blog.

Spotify’s algorithmic innovation still may not be very good at that quirky randomness and personal subjectivity of peer-to-peer music discovery but what it definitely does have is the ability to help listeners “discover en masse.” And if you’re an artist, you’ve got a better shot at reaching ripe global audiences now than ever before. So here’s some advice about what you can do as an artist to up your discoverability.

1) The community aspect is still important for listeners.

When you release new music, try to make sure all the relevant information gets sent to Discogs and AllMusic. But also, use your various communication channels (social media, email newsletters, your website, press releases) to actively promote those connections and build links between these projects wherever possible.

2) Platforms dictate differing listener behaviors. Use this to your advantage.

Normally, your music appears on almost all of these platforms anyway, so this only really applies to when you upload certain music to certain platforms, as a marketing and promoting strategy

Consider uploading to Bandcamp before Spotify and Apple Music, because it incentivizes people to buy.

On SoundCloud, tracks are very much isolated from album releases — they’re regarded as singles, or B-sides, or works-in-progress. Use this to build a relationship with your audience, and incentivize following you, so as to get these exclusives before anyone else.

Spotify is great for building a wide audience, showcasing public-facing play statistics, and leveraging the similarities of your sound to artists much bigger than you so you can chase opportunities.

3) It pays to hustle.

Why wouldn’t you send your newest release out to everyone on your press list?!

You really never know, it could be the right moment, right place, right music, and all it takes is one journalist to explode your band. It pays to send your music out to everyone that might write about it.

4) Never stop playing shows.

One of the best ways to reach new audiences is, still today, to get up in front of an audience and show them your best stuff. Pitch yourself as support for bigger bands touring through your city, or put together a bill of artists that you’re excited about. You might not get every opportunity you propose to venues or promoters, but just keep at it. Play live as much as you can and people will start discovering you organically.

5) Tag tag taggity tag everything.

Every tag, every blog post header, image caption, and very piece of oft-repeated text you generate on the internet, contributes to the building of an increasingly accurate picture of your musical project.

ManageMental Episode 86: How To Avoid These 10 Common Mistakes

Article: "10 Music Mistakes The Turn Fans Off" by Cari Cole:

This list is not for everyone. It’s for you if you are ready to pull out all the stops and get serious about your career. It’s for you if you like to hear what no one else has the guts to tell you. This advice, which is my professional opinion comprised after 30 years of coaching thousands of independent artists, celebrities and Grammy-winning artists from my voice studio in New York City, is for the express purpose of helping you become a great artist (musician + songwriter) so you can get ahead and make a dent out there. It’s not for the faint of heart. Keep in mind that this is a list to work on accomplishing –  it’s not important to have all of this aced ~ consider it 10 lessons to work on.

1. You post your demos publicly.
2. You only have one or two or three songs up.
3. You think that marketing is what makes people convert into fans.
4. You did your vocals in one day.
5. Your record is better than your show.
6. You wrote your bio yourself.
 7. You’ve got tons of views on Youtube but few comments and even worse, numbers on social media that don’t warrant those views.
8. You don’t have a website – only Reverbnation.
9. Your website is a FIREHOSE.
10. Too much text, not enough images. 

ManageMental Episode 85: How Much Does It Cost To Tour In 2018?

This week while Blasko is out, Mike is joined by Nick "Biggie" Grimaldi of Good Fight Management. Check out Biggie's roster here.

Follow Biggie on Twitter/Instagram: @biggiexxx.

Mike and Biggie discuss the Hypebot article "How Much Does It Cost To Tour In 2018?" by Royalty Exchange.


Touring is where the money is at in today’s music business.

But it’s also where most of the expenses lie as well.

Creating a realistic tour budget can help your time on the road be successful, but it’s far from a guarantee that you’ll end up turning a profit. The band Pomplamoose famously lost almost $12,000 on the month-long tour they wrote about in 2014
From transportation, to gear, to routing, to accommodations, to paying third parties… having a good idea how much touring costs is essential for musicians who hope to make their time out on the road worth their while.

Don’t let your tour turn into a money pit. Smart budgeting, and planning expenses ahead of time, can make the difference between a meaningful payday or a career-ending debacle. 

ManageMental Episode 84: How To Get An Internship In The Music Business Without A Single Contact

This week while Blasko is out, Mike is joined by Emily White, author and host of the Interning 101 book and podcast.

Mike: “I’ve been enamored with Emily White since we met as panelists at The Yellow Phone Music Conference in 2014. She has continued to inspire me with her passion and consistent record of achievement. As a CEO of a boutique music company, we mentor and work with interns every day and have always wanted to provide them with a valuable learning experience. That has been made all the better once we began following the advice of Emily White’s Interning 101 book. Emily’s charismatic personality combined with her extensive industry knowledge makes her a natural to be a podcast host.”

The Interning 101 Podcast takes listeners through the journey of how to successfully navigate and succeed in one’s field of choice. Episodes include interviews with Warped Tour Founder and USC Professor Kevin Lyman, Brian Viglione (The Dresden Dolls, Scarlet Sails, Violent Femmes, NIN), as well as Emily’s current business partners who began as interns a decade ago. The show also interviews current interns to experience the reality of the interning landscape in 2018 as well as Downtown Music Publishing Head of People Lisa Hauptman, Composer Matthew Wang (Netflix, Hans Zimmer Productions), and USA Swimming’s Jake Grosser.

The Jabberjaw team is also producing Interning 101 “mini-episodes” in which White will delve into specific topics from Interning 101 the book to educate the audience on modern business best practices, and more, in detail. Adds White, “It’s important that we keep the interview episodes focused on our awesome guests. But I want to ensure that the audience is getting educated on the crucial tenets of the Interning 101 book and for those that want to dive deeper, these episodes are perfect to learn how to succeed in modern business and beyond.

Mike and Emily discuss the article "How To Get An Internship In The Music Business Without A Single Contact" by Ariel Hyatt of CyberPR. Follow her on Twitter @cyberpr.

ManageMental Episode 83: Is The Album Dead?

Hypebot article "Proof the Album is Almost Dead" by Bobby Owsinski of Music 3.0

Listener Joe writes: "I know you guys have touched upon releasing music in 2018, specifically the relevance of the album versus EPs or even singles. I wondered if you guys could dig into this a bit more. As an independent metal artist who is getting ready to release new music in 2019, we've had several discussions in our camp about the appropriate way to do this, which has clearly changed since our last release. The metal and hard rock audience does seem to hold dear its albums and it doesn't seem to me that this will ever completely go away. However, considering how most people are consuming music now, it almost seems like a waste to release an album in which several songs will immediately get lost in space upon release. Currently, we're thinking of releasing an EP, in which we first release each song individually every few weeks before the official release. We know that having CDs, vinyl, and a full EP/album digital release still holds value for part of our demographic and we feel we need to have this available. I'd be interested to hear your take on what you would recommend for a smaller metal artist and on where you think this is headed in the next 5 years or so. 

Thank you so much! Your show holds immense value for me, my band, and other developing artists! I spread the word of your show to other buddy developing artists whenever I get the chance.

Thank you, thank you

Now if you think that anyone in the recorded music industry is lamenting this fact, you’re wrong. The business is in what many consider to be a boom period with double digit growth, and it’s all coming from streaming. In case you haven’t noticed, streaming is all about the song and not the album.

Will the album go away as a result? No, it’s still a way to compile a set of songs together that can be useful to the artist and label, plus there are some people that still buy CDs or vinyl. But you’re going to see less emphasis on it in the future, with songs being released as they’re finished instead of waiting for the whole lot to be completed for the album.

And this is actually healthy for the industry. Get the songs out fast, give each one maximum exposure instead of being diluted in an album package, and promote them on their merits, just like back in the 50s.

ManageMental Episode 82: Do You Need a Booking Agent?

This week we talk about booking agents. This is gonna be killer, so let’s get mental!

Listener Nick writes:

"What’s up Blasko,

Big fan of the podcast and what you do. My band is currently in a situation that I haven’t heard you and Mike talk about yet.

I’m in a band that has been signed for about 4 years. We’ve put out an EP and a full length, done several national tours with bigger acts, as well as many smaller tours across the states.

Recently, we had to fire our booking agent because, for lack of a better term...he completely ghosted us. No letter of resignation, no emails, nothing. He just stopped answering our manager’s calls and emails one day. We’ve tried to think of any reason why he could have left, but in all honesty we are totally confused.

SO, given that we aren’t the type to wait around for things to happen, we got back on the DIY booking grind. In return, we’ve been able to book ourselves at better venues and get better deals for the band than when we had an agent - leaving me to ponder why we should even look for another agent in the first place.

My questions are as follows:

1.) What are the pros of even having a booking agent in an age where young bands can get it all done themselves?

2.) if it is decided that we should seek out a new agent, what are some things we should look for? Connects? Passion for the band? 

3.) How can we know that our agent is pulling their weight and kicking ass for the band?

Thanks. Keep it mental.

ManageMental Episode 81: How to Get Featured on Music Blogs

Hypebot article "How To Get a Blog Premiere For Your Next Release" by Jeanette Kats of Symphonic Distribution's Symphonic Blog.

Press coverage is pretty important in the digital age, and it’s all about connections. But where do you start? Sure, you can send out cold e-mails to writers and editors who may never open them, but there are a few tips and tricks to help you get noticed in a sea of demos.

1. Create a spreadsheet and organize your options

There is an endless number of blogs out there on the web, but it will be a waste of time to reach out to sites that don’t cover your style of music. Do some research and find blogs that fit your sound. From there, find the contact emails for writers and editors, recent articles to mention and submission requirements. You can even team up with other artists in your field to tag-team a database.

2. Get all of your release information together

You’ll want to put together a list of what editors and writers will want to know. Make sure to include the release date, a hi-res version of the artwork, a press release or release bio, an artist bio and a link to the song. Many blogs prefer not to download music, so make sure to use a streaming link, such as DropBox or SoundCloud. From here, you can adjust your emails to fit each blog.

3. Make sure your socials are on point

If a blog writer heads to your SoundCloud or website and it’s a hot mess, then chances are they’ll be turned off by your emal. Make sure your socials are looking great and are easy to locate. Include your social media platforms in the email or in your signature.

4. Reach out and make it personal

Once you have all of your contacts organized and your information in order, start reaching out. Make sure to reach out as early as possible (2 weeks pre-release is usually a good time-frame), and keep it personal. Mention some similar artists they’ve featured, a well-written article that you enjoyed, or any mutual connections you may have. From there, include all relevant information for your track and send away!

5. Don’t be afraid to follow-up

Blogs get hundreds (or thousands) of emails a day. It’s standard for them to skip over some of them. Don’t be afraid to follow up! Many times, it takes a couple emails for someone to actually notice you. If they don’t respond after the second time, there’s a good chance they might not be interested.

ManageMental Episode 72: A Music Industry Formula for Success

This week Blasko and Mike discuss an article on The Huffington Post called The Music Industry Formula for Success Does Exist.

The Music Industry Formula for Success Does Exist